Varga Tibor Institute of Musical Art

Varga Tibor Institute of Musical Art

                                               Varga Tibor Institute of Musical Art

Head of institute:

 Dr. István Ruppert

Position:

  College professor

Contact information:

Telephone: +36 96 329 735

E-mail: ruppert@sze.hu

Homepage: http://zene.sze.hu

Two Departments are operating in the Institute:

  • Department of Solo Instruments and Music Theory
  • Department of Orchestral Instruments

 

Research profile:

-          History of Instruments

-          Performing of artist traditions

-          Development of keyboard forms

-          Music pedagogy

 

References:

 

Researches:

 

1. The history of the organ instrument

Aim: To review the several decade history of the organ, being one of the first (and determinant instruments for centuries) in the European music culture Connections of liturgical and instrumental music

Duration: I. semester 2005

Partners: Liszt Ferenc Academy of Music Budapest; Musikhochschule Graz; Benediktiner Abtei, Ottobeuren

 

2. The emergence and development of the harpsichord

Aim: To introduce the literature of the predecessor of the piano, the most important baroque solo and continuo instrument

Duration: II. Semester 2008

Partners:  Liszt Ferenc Academy of Music Budapest; Universität Wien

 

3. The presence of musical historicism and its effect on today’s performing art

Aim: To analyse the movement, starting after the second world war that tried to reconstruct the practice of contemporary music playing based mainly on the contemporary documents of music playing of the baroque era

Duration: I. semester 2006

Partners: Liszt Ferenc Academy of Music; DE Department of Art; Oulu Conservatory

 

4. Performing problems of contemporary Hungarian piano music pieces

Aim: To introduce and authenticate performances of contemporary Hungarian piano music pieces that originated after the second world war and are rarely found in concert life

Duration: II. semester 2005

Partners: Papp Lajos composer, Hannover; Liszt Ferenc Academy of Music, Körmendy Klára head of department

 

 

5. Notation problems of contemporary chamber pieces

Aim: To help the performance possibilities of musical compositions and the technologies of score reading by examining the music of the 20th century, which developed new score writing methods

Duration: II. semester 2008

Partners: Liszt Ferenc Academy of Music; University of Pécs - Departments of Arts

 

6. The school of Miklós Hubay and the performer stylistic marks of his violin pieces

Aim: To examine the world-famous Hungarian violin school that was founded by Miklós Hubay (an impressive person in his own right), dated from the second part of the 19th century

Duration: II. semester 2007

Partners: University of Szeged - Departments of Arts; Liszt Ferenc Academy of Music

 

7. The centuries of harpsichord literature

Aim: To introduce the literature of the most important baroque solo and continuo instrument

Duration: I. semester 2009

Partner: Liszt Ferenc Academy of Music

 

8. Italian keyboard forms in the 16th-17th century

Aim: To follow the origin and development of early baroque keyboard forms in Italy

Duration: II. semester 2009

Partners: Liszt Ferenc Academy of Music; University of Debrecen - Department of Art; Oulu Conservatory

 

9. The history of toccata until the harpsichord toccatas of J.S.Bach

Aim: To follow the origin and development of the most popular baroque form until J.S. Bach

Duration: I. semester 2007

Partners: Liszt Ferenc Academy of Music; Messina Conservatory

 

10. The piano teaching traditions of the Gnesin Institute Moscow

Aim: To examine Russian conservatoires, which have produced some of the most world-renowned pianists, and of particular importantance is the Gnesin Institute. To focus on the methods of selection and improvement in this institute.

Duration: I. semester 2008

Partners: Gnesin Institute Moscow, Csajkovszkij Conservatoire Moscow

 

11. Alexander method

Aim: To examine the improvement of physical deformations caused by the musical practice, wrong carriage

Duration: 2007-2009

Partners: Liszt Ferenc Academy of Music, Eötvös Lóránd University

 

12. Musical work capacity care – Kovács-method

Aim: To examine special gymnastic- and lifestyle proposals against unilateral physical load

Duration: 2008-2010

Partners: Liszt Ferenc Academy of Music, Semmelweiss University, Eötvös Lóránd University

 

13. Healthy breathing technique in the singing sound-formation

Aim: To get acquainted with the mechanism of breathing, to attain breathing techniques essential for the technique of singing

Duration: I. semester 2009

Partners: Semmelweiss University, Hungarian State Opera House

 

Keywords:

instrument history, performing artist traditions, keyboard forms, music pedagogy

Vállalati

Események

Egyetemi Sport Nemzetközi Napja 2017. szeptember 19. - 2017. szeptember 20.
Hallgatói klubkoncert 2017. szeptember 20. 20:00 - 22:00
Akadémiai Nap 2017. szeptember 21. 10:00 - 12:00
Nyugdíjas Egyetem Mosonmagyaróvár (1. előadás) 2017. szeptember 21. 16:00 - 18:00
Akadémiai Nap - Ünnepi Hangverseny 2017. szeptember 21. 19:00 - 20:00

Kiadványaink

Kutatási kapacitásokÉves Jelen